Mediaset, since 1992 with Champions League, has renewed their commitment.

Premium, the on demand pay tv by Mediaset, has the exclusive broadcast rights for the next 2 editions of the UEFA Champions League. Yves Confalonieri, Editorial Contents Director, says: "For us it is clear that the Champions League is not only an investment in tv rights, although quite expensive. It is a real big event. In fact not only it involves the transmissions of the matches in high quality, but also the entire event management, such as pre and post matches from studio. We have added new talents, and we want to return the excitement typical of the stadium.

On September 3rd, at the Artemio Franchi stadium in Florence, Italy challenges Malta football team. RAI, the Italian public broadcaster, follows the game as the host broadcaster. The event is part of the series of matches for useful qualification in European Football Championship 2016 in France and is produced by RAI for the UEFA distributing a tv signal to rights holders international broadcasters.

Telerecord from Florence is celebrating 40 years in the market and has built a new mobile unit top quality and technology in the field of Ob-vans for television. This is called "Unit 26", capable of controlling from the bay station up to 24 cameras, but that it can actually handle up to 44. The Unit has already been used in recent months, also for the production of World Cup hockey and bobsleigh (with 34 cameras).

Nazareno Balani,director, a whole life for sports (August 2015)

How have shooting tehniques in sports, and directing and the language of images changed in over 40 years? We have picked up some reflections of Nazareno Balani, one of most renowned Italian ports broadcast directors. "Actually all formats have changed, the digital domain has abolished tapes and cassettes, miniaturized equipments, compressed images, revolutionized everything in this field. Once RAI live broadcast of Serie A match was shot with 3 cameras and minor matches with 2.