• Presspool.it
    UfficioStampa in Pixel
    multi platform contents
  • Presspool.it
    PressOffice in Pixel
    case studies, press releases, comunicati stampa, news stories
  • Presspool.it
    UfficioStampa in Pixel
    articoli, interviste, video, socialing
  • Presspool.it
    UfficioStampa in Pixel
    digital reputation, awareness, return on relation RoR
  • Techwise PressOffice
    Presspool.it

Remote production of SuperLega volleyball evolves with 3Zero2 TV

 
volley1

The number of cameras used to capture the action has been doubled from two to four

3Zero2 TV, a subsidiary of EMG, started 2021 by adding a series of new technical and aesthetic initiatives for coverage of Italian SuperLega volleyball matches being aired on the Eleven network.

The enhancements were made in order to provide viewers with better insight into both the tactical and emotional elements of each game.

 

Talking to SVG Europe, Andrea Andrisano, production assistant at 3Zero2 TV, comments: “We decided to perform an important upgrade of the techniques used for the SuperLega matches. The first significant change involved the number of cameras used for filming which was doubled compared with the last edition, from two to four.”

Two cameras are now located high up in the stands in a central position. One takes close shots to capture details and follows the ball more closely; the second offers long shots and also performs ‘beauty’ functions as it returns a total view of the field, including benches, and therefore offers a general wide angle of everything that is happening during the game.

Camera number three is positioned at the bottom of the pitch, in the middle of the benches, to film the game in a more emotional way and to catch the coach’s directions to the players. It also catches the dynamics of the individual athletes, as well as personal reactions, such as grimaces and moments of joy. These shots allow the spectator to get much closer to the game.

volleySalottino

Before each match, the home club has the opportunity to enrich the broadcast with a video in which they talk about the club and the players

Finally, the fourth camera, which is fixed on one of the short sides of the pitch, returns technical images that deliver a more tactical view of the match as a team performance.

All cameras are placed on tripods for greater stability and only one is not assisted by an operator.

Tactics and emotion

The upgrade delivered by 3Zero2 TV for this season is important both from a tactical and an emotional point of view. The new remote production set up allows a producer on-site to be in direct communication with the director, located in the main control room of 3Zero2 TV in Cologno Monzese.

The producer, as an expert technician of the game,  knows better than anyone else the dynamics of the team and of the sports concerned, enabling them to recommend certain shots, to create focus in the story. The producer’s proximity to the action is also useful in the interviews that are carried out both pre and post-game.

Andrea AndrisanoAndrea Andrisano, production assistant at 3Zero2 TV

Andrisano explains: “The producer is a specialist in charge of the SuperLega who, physically on the field, is able to see the live programme feed by 3Zero2. Being able to watch the game in person and simultaneously seeing the live broadcast, they are able to send valuable information via intercom to the director in real time and suggest salient shots. They can, therefore, perfectly control the filming of some of the game’s actions by asking the director to better emphasise certain dynamics, such as fouls, replays and the like.”

To make every volleyball match even more captivating, 3Zero2 TV has also created new lounges, small sets or spaces used on the sidelines that are useful for making contour materials. This includes interviews with sponsors, club directors, players and coaches.

Technical upgrades

There have also been a number of important technical upgrades for this season. In the main gallery in Cologno Monzese, Simply Live remains crucial for the management of the directing section and the insertion of graphics. A software developed internally is used for the inclusion of highlights and the creation of archive memories to be delivered to the leagues at the end of the game.

A new main encoder, Makito, is used in every venue or ‘palazzetto’ allowing for minimal delay, with almost real time images from the four cameras stream arriving in Cologno and the return programme delivered back to the stadium via fibre.

“From a technical point of view it is necessary to underline the really significant leap we have made at a technical and operational level to guarantee an even higher level of quality”

Furthermore, this year, the management of all signal coding in each venue has been entrusted to a new professional production figure, a technician who helps manage all the operators present in the field but also all the dynamics and problems that may arise during the production. The technician also manages all the audio signals, the double commentary of the commentators, including their video return, and the signals sent to the producer station that must receive the programme and the images from the four cameras.

For the set up, the technical crew arrives about three and a half hours before the start of the production of the game, or rather the pre-game. At least four or five games a week are delivered using this new system.

Detailed commentary

Another addition to this year’s technical set up is the enhanced journalistic commentary. In addition to the usual main commentator, a second figure has been added to offer technical comment and complete the story of the match by adding interesting detail and explaining more of the tactical side of the match.

A technical commentator has been added to the commentary line up to explain more of the tactical detail

Andrisano concludes: “From a technical point of view it is necessary to underline the really significant leap we have made at a technical and operational level to guarantee an even higher level of quality. It has been appreciated by the clubs which, to our great satisfaction, have welcomed the results with enthusiasm.

“These procedures that 3Zero2 TV has developed to deliver sports events at a distance with remote production – not just volleyball – allow us to offer customers very low production costs, but at the same time to greatly increase the quality level of the TV events and make them even more spectacular and engaging, but without weighing on the budgets.”

- Broadcast Radio & TV -

Aviwest per la UEFA per la copertura...

Aviwest per la UEFA per la copertura...

L'ecosistema cellulare legato di AVIWEST ​​è stato utilizzato per trasmettere in diretta la formazione...

| In Acquisizione-Produzione| 03 Agosto, 2021
AIMS apre la call for paper per...

AIMS apre la call for paper per...

L'evento esplorerà i nuovi progressi nei media su IP e la distribuzione nel mondo reale degli ecosistemi...

| In Associazioni-Fiere| 03 Agosto, 2021
SportsPro OTT Awards 2021 tempo...

SportsPro OTT Awards 2021 tempo...

Per il terzo anno consecutivo, SportsPro ospita gli OTT Awards, dedicati a OTT e streaming...

| In Associazioni-Fiere| 29 Luglio, 2021

- Audio Pro -

Lawo mc² al concerto di Parigi...

Lawo mc² al concerto di Parigi...

Tutta la Francia segna l'inizio della moderna nazione francese ogni anno il 14 luglio, con eventi che...

| In Audio-Professionale| 27 Luglio, 2021
AES Audio Education Conference:...

AES Audio Education Conference:...

L'evento di tre giorni mette in evidenza le sfide e le opportunità in via di sviluppo nel fornire un'istruzione...

| In Audio-Professionale| 19 Luglio, 2021
PAMA, Professional Audio Manufacturers...

PAMA, Professional Audio Manufacturers...

La Professional Audio Manufacturers Alliance (PAMA) sta lavorando con i suoi membri e le organizzazioni...

| In Audio-Professionale| 04 Luglio, 2021

- Post & Graphics -

Lawo: coppia di OB-Van controllati...

Lawo: coppia di OB-Van controllati...

Bahrain TV del Ministero dell'informazione dispone di due nuovi furgoni Outside Broadcast (OB...

| In Post & Graphics| 29 Luglio, 2021
Digital Nirvana, Trance 3.2 per...

Digital Nirvana, Trance 3.2 per...

Digital Nirvana, fornitore di servizi all'avanguardia per il monitoraggio dei media e la generazione...

| In Post & Graphics| 28 Giugno, 2021
Brainstorm conclude TelePorter,...

Brainstorm conclude TelePorter,...

Brainstorm è una società spagnola specializzata, dedicata a fornire grafica 3D in tempo reale e soluzioni...

| In Post & Graphics| 16 Giugno, 2021

- Sports & News Broadcast -

MOOV ha utilizzato Brainstorm per...

MOOV ha utilizzato Brainstorm per...

La virtualizzazione dello studio ha esteso lo spazio disponibile ben oltre i suoi limiti fisici, fornendo...

| In Sports Broadcast| 26 Luglio, 2021
Racconta Giorgio Galli. “Il gioco...

Racconta Giorgio Galli. “Il gioco...

Come le cose sono cambiate a livello di regia e di linguaggio audiovisivo in 26 anni di regie televisive  Parte DUE "Con...

| In Sports Broadcast| 18 Luglio, 2021
Come le cose sono cambiate a livello...

Come le cose sono cambiate a livello...

Racconta Giorgio Galli. “Il regista del calcio deve amarlo e conoscerlo profondamente” Parte UNO. Iniziando...

| In Sports Broadcast| 15 Luglio, 2021

- World News -

FilmLight e i Color Awards globali: aperte...

FilmLight e i Color Awards globali: aperte...

FilmLight, nome importante nella tecnologia di gestione del colore, ha lanciato da un paio...

| In Cinema-DI| 28 Luglio, 2021
Gravity Media FIFA WORLD CUP QATAR...

Gravity Media FIFA WORLD CUP QATAR...

Il cliente finale era The Supreme Committee for Delivery & Legacy, tramite il cliente di Gravity...

| In World-News| 26 Luglio, 2021
Imagine Communications potenzia...

Imagine Communications potenzia...

L'emittente implementa l'acquisizione integrata, la gestione delle risorse e il playout ridondante sull'hardware...

| In World-News| 20 Luglio, 2021

- Video Professionale -

AIMS apre la call for paper per...

AIMS apre la call for paper per...

L'evento esplorerà i nuovi progressi nei media su IP e la distribuzione nel mondo reale degli ecosistemi...

| In Associazioni-Fiere| 03 Agosto, 2021
SportsPro OTT Awards 2021 tempo...

SportsPro OTT Awards 2021 tempo...

Per il terzo anno consecutivo, SportsPro ospita gli OTT Awards, dedicati a OTT e streaming...

| In Associazioni-Fiere| 29 Luglio, 2021
TAG Video Systems: Monitoraggio...

TAG Video Systems: Monitoraggio...

Il passaggio da SDI a IP ha visto l'industria abbandonare l'uso di oscilloscopi, monitor di forme d'onda...

| In Video-Professionale| 29 Luglio, 2021

- Tecnologie Innovative -

Bitmovin: Applicazione delle API...

Bitmovin: Applicazione delle API...

Il lettore video modulare di Bitmovin è disponibile per quasi tutti i dispositivi, piattaforme e implementazioni. Poiché...

| In Tecnologie-Innovative| 28 Luglio, 2021
AVIWEST ​​e Grabyo collaborano...

AVIWEST ​​e Grabyo collaborano...

Le emittenti creano esperienze di visualizzazione digitale utilizzando la tecnologia AVIWEST ​​e la piattaforma...

| In Tecnologie-Innovative| 20 Luglio, 2021
Riedel, comunicazioni all-IP per...

Riedel, comunicazioni all-IP per...

Il nuovo van 4K OB della Shaanxi Broadcasting Corporation presentato il mese scorso al 28° China Content...

| In Tecnologie-Innovative| 09 Luglio, 2021

Presspool.it Ufficio Stampa in Pixel

Dicono di noi
Special Mention
applausi
Progetto & Contenuti
Project & Contents
Video
Link ai filmati
LINKED-IN e Soci(al)
I link ai social network
Contatti - Contacts
www.presspool.it

Latest News - Ultimissime (2)

News Alert

Copyright © Roberto Landini PressPool.it 2000-2021. PIIT‭039 12510967. All rights reserved. We strive for accuracy and fairness. If you see something that doesn't look right, contact us: info [At] presspool. it